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As in language, so in mythology, investigation has proceeded from, the known to the unknown--from the higher to the lower mythologies. In each step of the progress of opinion on this subject a particular phenomenon may be observed. As each lower status of mythology is discovered it is assumed to be the first in origin, the primordial mythology, and all lower but imperfectly understood mythologies are interpreted as degradations, from this assumed original belief; thus polytheism was interpreted as a degeneracy from monotheism; nature worship, from psychotheism; zooelotry, from ancestor worship; and, in order, monotheism has been held to be the original mythology, then polytheism, then physitheism or nature worship, then ancestor worship.

One of the best authorities for the period from the Conquest to 1141 is the Historia Ecclesiastica of ORDERIC VITALIS (A. le Prevost, Societe de l'Histoire de France, 1838-55). Born in England in 1075, of a Norman father, a clerk, and an English mother, he was sent by his father at the age of ten to the monastery of St. Evroul, and there he spent his life. The atmosphere in this monastery was favourable to study. It had an extensive library, and Orderic had at his command good sources of information, though he himself took no part in the events he describes. He paid some visits to England in which he obtained information, and as he always looked upon himself as an Englishman, his history naturally includes England as well as Normandy. He began to write about 1123, and from that date on he may be regarded as a contemporary authority, but from the Conquest the book has in many places the value of an original account. It is an exasperating book to use because of the extreme confusion in which the facts are arranged, or left without arrangement, the account of a single incident being often in two widely separated places. But the book rises much above the level of mere annals, and while perhaps not reaching that of the philosophical historian, gives the reader more of the feeling that a living man is writing about living men than is usual in medieval books. It reveals in the writer a lively imagination, which, while it does not affect the historical value of the narrative, gives it a pictorial setting. Orderic's interest in the minuter details of life and in the personality of the men of his time imparts a strong human element to the book; nor is the least useful feature of the work the writer's critical judgment on men and events, generally on moral grounds, but often assisting our knowledge of character and the causes of events.

Hasdrubal did not venture to make his appearance again in Carthage, and Syphax once more fled into Numidia. Scipio did not give the Numidian prince any repose; he was pursued by Laelius and Masinissa, and finally taken prisoner. Among the captives who fell into their hands was Sophonisba, the wife of Syphax, whom Masinissa had long loved, and had expected to marry when she was given to his rival. Masinissa now not only promised to preserve her from captivity, but, to prevent her falling into the hands of the Romans, determined to marry her himself. Their nuptials were accordingly celebrated without delay; but Scipio, fearful of the influence which she might exercise over his ally, sternly upbraided him with his weakness, and insisted on the immediate surrender of the princess. Unable to resist this command, Masinissa spared her the humiliation of captivity by sending her a bowl of poison, which she drank without hesitation, and thus put an end to her own life.


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