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Replagegos Omnifurian Directory 10
Page 08
The question of progress is confused and put on a wrong footing when the consciousness of happiness or unhappiness, is made the primary test. The happiness of the child is quite apart from that of the adult. Regardless of distressing circumstances, the child is able to laugh and play, and this because he is a child; a child in his ignorance of actual life, and in his inability to perceive the true conditions in which he lives. Not otherwise, I take it, was the happiness of the vast majority in Old Japan. Theirs was the happiness of ignorance and simple, undeveloped lives. Accustomed to tyranny, they did not think of rebellion against it. Familiar with brutality and suffering, they felt nothing of its shame and inhumanity. The sight of decapitated bodies, the torture of criminals, the despotism of husbands, the cringing obedience of the ruled, the haughtiness of the rulers, the life of hard toil and narrow outlook, were all so usual that no thought of escape from such an order of society ever suggested itself to those who endured it.
We considered this point fully when speculating as to the presence of man in the Miocene: so we have nothing further to offer. We might, however, suggest that, if the hippopotamus amongst mammals could survive all the changing time since the Pliocene, as it has done, it seems no more than fair to admit equal power of endurance to the human species. The position then of the scientific world as to the Pliocene Age of man is, on the whole, more decided in its favor than for the Miocene Age. Quite a number of eminent scholars, whose conclusions are worthy of all respect, unhesitatingly affirm the existence of Pliocene man in Europe. Others are not quite ready to admit his existence in Europe, but do think he was in existence elsewhere. Still others, with all due respect for the discoveries of Capellini, think it more prudent to await further discoveries. The reader, who has followed us through this brief outline of the past, can join which of the classes he will, and be sure of finding himself in good company.
BRIDGES, FIDELIA. Associate of the National Academy of Design in 1878, when but three other women were thus honored. Born in Salem, Massachusetts. Studied with W. T. Richards in Philadelphia, and later in Europe during one year. She exhibited her pictures from 1869 in Philadelphia, New York, and Boston. Her subjects were landscapes and flowers. In 1871 she first painted in water-colors, which suited many of her pictures better than oils. She was elected a member of the Water-Color Society in 1875. To the Philadelphia Exposition, 1876, she sent a "Kingfisher and Catkins," a "Flock of Snow Birds," and the "Corner of a Rye-Field." Of the last a writer in the _Art Journal_ said: "Miss Bridges' 'Edge of a Rye-Field,' with a foreground of roses and weeds, is a close study, and shows that she is as happy in the handling of oil colors as in those mixed with water."
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