Replagegos Omnifurian Directory 14

It acquires a yellowish tinge. As it continues to contract it grows hotter and hotter until its temperature reaches a maximum as a white star. At this point the contraction process does not stop, but the heating process does. Further contraction is now accompanied by cooling, and the star goes through its colour changes again, but this time in the inverse order. It contracts and cools to yellow and finally to red. But when it again becomes a red star it is enormously denser and smaller than when it began as a red star. Consequently the red stars are divided into two classes called, appropriately, Giants and Dwarfs. This theory, which we owe to an American astronomer, H. N. Russell, has been successful in explaining a variety of phenomena, and there is consequently good reason to suppose it to be true. But the question as to how the red giant stars were formed has received less satisfactory and precise answers.

What, again, is one to make of Dickens, with his love of private theatricals, his florid waistcoats and watch-chains, his sentimental radicalism, his kindly, convivial, gregarious life? He, again, did his work in a rapture of solitary creation, and seemed to have no taste for discussing his ideas or methods. Then, too, Dickens's later desertion of his work in favour of public readings and money-making is curious to note. He was like Shakespeare in this, that the passion of his later life seemed to be to realise an ideal of bourgeois prosperity. Dickens seems to have regarded his art partly as a means of social reform, and partly as a method of making money. The latter aim is to a great extent accounted for by the miserable and humiliating circumstances of his early life, which bit very deep into him. Yet his art was hardly an end in itself, but something through which he made his way to other aims.

• Bernardo Gallegos writes for Bernardo Gallegos
• Bernardo Gallegos writes for Bernardo Gallegos
• Bernardo Gallegos writes for Bernardo Gallegos
• Bernardo Gallegos writes for Bernardo Gallegos
• Bernardo Gallegos writes for Bernardo Gallegos

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