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Replagegos Omnifurian Directory 14
Page 01
Another circumstance will illustrate the manners of the times. L. Flamininus, the brother of the conqueror of Philip, and Consul in B.C. 192, took with him into Cisalpine Gaul a beautiful Carthaginian boy, to whom he was attached. The youth complained of leaving Rome just before the exhibition of the games of the gladiators. Shortly after reaching the province, when Flamininus was feasting with his favorite, a Boian chief came into the Consul's tent to implore his protection. Flamininus seized this opportunity to please the boy, and, telling him that he should be rewarded for not seeing the gladiators, he ordered an attendant to stab the Gaul, that his favorite might enjoy the dying agonies of the man.
At the Salon of 1881 her picture was well hung and was praised by artists. In the autumn of that year she was very ill, but happily, about the beginning of 1882, she was much better and again enthusiastic about her painting. She had been in Spain and excited admiration in Madrid by the excellence of her copy of "Vulcan," by Velasquez. January 15th she wrote: "I am wrapped up in my art. I think I caught the sacred fire in Spain at the same time that I caught the pleurisy. From being a student I now begin to be an artist. This sudden influx of power puts me beside myself with joy. I sketch future pictures; I dream of painting an Ophelia. Potain has promised to take me to Saint-Anne to study faces of the mad women there, and then I am full of the idea of painting an old man, an Arab, sitting down singing to the accompaniment of a kind of guitar; and I am thinking also of a large affair for the coming Salon--a view of the Carnival; but for this it would be necessary that I should go to Nice--to Naples first for the Carnival, and then to Nice, where I have my villa, to paint it in open air."
The Great Latin War_, B.C. 340.--The legion in B.C. 340 had almost entirely discarded the tactics of the phalanx. It was now drawn up in three, or perhaps we ought to say, in five lines. The soldiers of the first line, called Hastati, consisted of youths in the first bloom of manhood, distributed into 15 companies or maniples (_manipuli_), a moderate space being left between each. The maniple contained 60 privates, 2 centurions (_centuriones_), and a standard-bearer (_vexillarius_). The second line, the Principes, was composed of men in the full vigor of life, divided in like manner into 15 maniples, all heavily armed. The two lines of the Hastati and Principes taken together amounted to 30 maniples, and formed the Antepilani. The third line, the Triarii, composed of tried veterans, was also in 15 divisions, but each of these was triple, containing 3 maniples. In these triple maniples the veterans, or Triarii proper, formed the front ranks; immediately behind them stood the Rorarii, inferior in age and prowess, while the Accensi, or supernumeraries, less trustworthy than either, were posted in the extreme rear.
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