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Replagegos Omnifurian Directory 17
Page 08
ALIPPI-FABRETTI, QUIRINA. Silver medal at Perugia in 1879; honorary member of the Royal Academy in Urbino and of the Academy of Fine Arts in Perugia. Born in Urbino, 1849. She was the daughter of the jurisconsult Luigi Alippi. She studied drawing and painting in Rome with Ortis and De Sanctis. Following her father to Perugia in 1874, whither he had been called to the Court of Appeals, she continued her study under Moretti. She married Ferdinando Fabretti in 1877. She made admirable copies of some of the best pictures in Perugia, notably Perugino's "Presepio" for a church in Mount Lebanon, Syria. She was also commissioned to paint an altar-piece, representing St. Stephen, for the same church. Her interiors are admirable. She exhibited an "Interior of the Great Hall of the Exchange of Perugia" in 1884, at Turin. She painted two interior views of the church of San Giovanni del Cambio in Perugia, and an interior of the vestibule of the Confraternity of St. Francis. Her other works, besides portraits, include an "Odalisk," an "Old Woman Fortune-teller," and a "St. Catherine."
Because of their pastoral life the Navaho are not villagers. Their dome-shaped, earth-covered hogans are usually grouped two or three in the same locality. The summer house is a rude brush shelter, usually made with four corner posts, a flat top of brush, and a windbreak of the same material as a protection against the hot desert siroccos. The hogan proper, used for storage during the summer, affords a warm and comfortable shelter to its occupants through the cold winters of their high altitude. When a hogan is built it is ceremonially consecrated, and if an occupant should die in it, it is forever deserted and is called _tsi{~COMBINING BREVE~}ndi hogan_, "evil house." No Navaho will go near such a house or touch anything taken from it. If a meal were cooked with decayed wood from a hogan a hundred years deserted, a Navaho, even if starving, could not be induced to partake of it. Thus strong are the religious beliefs of this primitive people.
Chuganaai at once sent for Doh, the Fly, to come and erect a _kache{~COMBINING BREVE~}_, or sweat-house. It took but a short time to put up the framework, which Stenatlihan covered closely with four heavy clouds: a black cloud on the east, a blue one on the south, a yellow one on the west, and a white one on the north. Out in front of the doorway, at the east, she spread a soft red cloud for a foot-blanket after the sweat. Twelve stones were heated in a fire, and four of them placed in the _kache{~COMBINING BREVE~}_. Kuterastan, Stenatlihan, Chuganaai, and Hadintin Skhin each inspected the sweat-house and pronounced it well made. The three newcomers were bidden to enter and were followed by Chuganaai, Nilchidilhkizn, Ndidilhkizn, Nokuse, and Doh. The eight sang songs as their sweat began. Chuganaai led, singing four songs, and each of the others followed in turn with the same number. They had had a good sweat by the time the songs were finished, so Stenatlihan removed the black cloud and all came out. She then placed the three strangers on the red-cloud blanket, and under the direction of Kuterastan made for them fingers, toes, mouth, eyes, ears, hair, and nose. Then Kuterastan bade them welcome, making the boy, whom he called Yadilhkih Skhin, Sky Boy, chief of the sky and its people. The second he named Nigostu{~COMBINING BREVE~}n Nali{~COMBINING BREVE~}n, Earth Daughter, and placed her in charge of the earth and its crops; while to the third, Hadinin Nali{~COMBINING BREVE~}n, Pollen Girl, was assigned the care of the health of the earth's people. This duty also devolved upon Hadintin Skhin, but each looks more to the welfare of his own sex than to that of the other.
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