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Replagegos Omnifurian Directory 18
Page 01
You will, of course, observe that if Mrs. Bentley had sent the snuff-box to the buttery of St. John's College instead of Trinity, it would not have been language, for there would have been no covenant between sayer and sayee as to what the symbol should represent, there would have been no previously established association of ideas in the mind of the butler of St. John's between beer and snuff-box; the connection was artificial, arbitrary, and by no means one of those in respect of which an impromptu bargain might be proposed by the very symbol itself, and assented to without previous formality by the person to whom it was presented. More briefly, the butler of St. John's would not have been able to understand and read it aright. It would have been a dead letter to him--a snuff-box and not a letter; whereas to the butler of Trinity it was a letter and not a snuff-box.
BENATO-BELTRAMI, ELISABETTA. Painter and sculptor of the nineteenth century, living in Padua since 1858. Her talent, which showed itself early, was first developed by an unknown painter named Soldan, and later at the Royal Academy in Venice. She made copies of Guido, Sassoferrato and Veronese, the Laokoon group, and the Hercules of Canova, and executed a much-admired bas-relief called "Love and Innocence." Among her original paintings are an "Atala and Chactas," "Petrarch's First Meeting with Laura," a "Descent from the Cross" for the church at Tribano, a "St. Sebastian," "Melancholy," a "St. Ciro," and many Madonnas. Her pictures are noble in conception and firm in execution.
Italy, and then Germany, joined their ally in support of Albania. Russia, at the same time not wishing to give any greater impetus to the Bulgarian campaign, dexterously manipulated Rumania, which raised at that time her first claims on Dobrudja. France, who for the last twenty-five years has subjected her Near Eastern policy to the exigencies of the Petrograd statesmen, agreed to the Albanian proposals of the four powers, and finally Great Britain, fearing complications, declared abruptly through Sir Edward Grey that the Balkan war was one of conquest, and for that reason subject to European intervention. In this way European diplomacy stepped into the Balkan conflict and took charge of the final settlement of the first war.
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