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Replagegos Omnifurian Directory 18
Page 02
CAMPANIA extended along the coast from the Liris, which separated it from Latium, to the Silarus, which formed the boundary of Lucania. It is the fairest portion of Italy. The greater part of it is an unbroken plain, celebrated in ancient as well as in modern times for its extraordinary beauty and fertility. The _Bay of Naples_--formerly called Sinus Cumanus and Puteolanus, from the neighboring cities of Cumae and Puteoli--is one of the most lovely spots in the world; and the softness of its climate, as well as the beauty of its scenery, attracted the Roman nobles, who had numerous villas along its coasts.
The second structure was a smaller (1,200 square feet), but imposing, house located near the present shoreline, considerably downriver. One of the features of this second mansion was a basement in the center of which was sunk a square, brick-lined recess, 3.3 feet on a side and 2.7 feet deep. Among the many wine bottle fragments in this recess were 3 bottle seals--1 with "WW" and 2 with "FN" stamped on them. Whether or not this mansion can be associated with Sir Francis Nicholson, the last governor resident at Jamestown (who moved the capital to Williamsburg), we do not know. Artifacts found in the refuse indicate this house was dismantled, not burned, shortly before or after the turn of the 17th century. The mystery of the little brick-lined recess is not entirely solved, but it is probable that here was a primitive cooler, deep below the house, in which perishable foods or wines were stored.
In landscape the English have had something to say peculiarly their own. It has not always been well said, the coloring is often hot, the brush-work brittle, the attention to detail inconsistent with the large view of nature, yet such as it is it shows the English point of view and is valuable on that account. Richard Wilson (1713-1782) was the first landscapist of importance, though he was not so English in view as some others to follow. In fact, Wilson was nurtured on Claude Lorrain and Joseph Vernet and instead of painting the realistic English landscape he painted the pseudo-Italian landscape. He began working in portraiture under the tutorship of Wright, and achieved some success in this department; but in 1749 he went to Italy and devoted himself wholly to landscapes. These were of the classic type and somewhat conventional. The composition was usually a dark foreground with trees or buildings to right and left, an opening in the middle distance leading into the background, and a broad expanse of sunset sky. In the foreground he usually introduced a few figures for romantic or classic association. Considerable elevation of theme and spirit marks most of his pictures. There was good workmanship about the skies and the light, and an attentive study of nature was shown throughout. His canvases did not meet with much success at the time they were painted. In more modern days Wilson has been ranked as the true founder of landscape in England, and one of the most sincere of English painters.
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